心中的故乡

剧情简介

Sy?,no-$)psis　　Do-seong ( Yoo @Min?-) is a child monk /]who lives at a, small  m\ ,ount]^ain temple[, (_with the ]head monk!= (Byeon (Ki-jong)`\, lea#* rning the teachin
gs of;= Bu(=[ddha. He b((e?
#+comes a\=,ttached t#*,:o a %=you_/ng :^wido_\w (Choi Eun-hee)!\\ $!@who comes to p ;ray at( the temp. le , \)and the]:) childless w idow entreat/!s the+? head monk to let her ra(i*
se Do-seo=ng as her own s/o.n.  Con![f?lict;=(  !)ensues when Do-seong's real m\+/other (:_ =Kim Seo=@n
#`-young
#)$]# a?[:`p:@pears, but she- ;% leaves ;(;th$@e t-em!)ple for the$ sake of her son's fut ure. On the ,da\y the widow is to t a@)=ke the c .hild down from t!.he /\])moun+ta]in, the 
head monk discov ers that Do-seong has killed a b,ir;#d by ensnaringit in a+
: trap an d @deci`^des not#[  -^to let the\
; boy go into= the; sec!] ular world. When Do-[_=; seong finds o/:ut that *his real ]moth %er
%-h;:as been to the temple[/, he set-s_ :]`o*) ut to find her.　　$\@ N_otes　- ]　A film :\that; has garnered recogn)[it)ion f]or ;its cinemat?])ography a*/nd direction by elim_[inating (_;sentimentality an,:.d unaffectedly capturin
g the(% quiet]; lif\,:e o .f a : mo#-unta%in temple. A Homet^`own in= H!@eart$ (demonstrates^_ the+^ @camera techni(que and dir^_ectorial skill /of movies that!/ appeare`.d af:!*ter; the liberation of [Ko-rea.　　A=@ Homet,o/wn in H$;e#=a^-rt, adapte?d _$from = !pl
%*aywright : Ha *:m;% Se-deok's A Little Monk (Dong-seung),[] w]as hailed upon( its:^, (release a
, s a ma`*st#erpiece that marked a new pinnacle_ [in `[*\?Kore]^an moviem!aking af?,ter the libera^tion. E$
:_schewing new-,@`scho],#o`?l senti$\^me#ntal$=#it,* y t$[\?o qu-/#i`etly_ express a @boy@_\:$'s longing $for matern _:?a]/l love,*# t,).,he f@ilm unfolds th:/e everyday lives;-/ of t=)hree]$ genera^ti. onsthe head monk#,+ a yo#un!(g -;%monk, and a little =\child monka/:gainst /t:[:he b$\ackdrop of -$
^a quiet temple in%@ t-/he mountain\(s. The, long shot[s utilized by_= direc)tor of cinematogra+phy Han ! Hyun!g@-mo to cap+t
+ure` t
he bea,utif# ul scener:((y of the mountain temple from; a distance received great c$ ;ritical accla;im at the time. Also, each) of the f*ilm's char=^acter:s is=: c`onvincingly portrayed !through ^!the skillful? dir=ection,] of Yoo[%=n #!(Yo; :ng(]-kyu. In pa[\.rticular, t-:he scene whi ch; e*%(xpresses Do-seon**g's d es[.perat+$ [e year ,ning fo
r ,a mother*\
's lov e and h)$is birth mother's
_:)past visi`#t %/to the temple by co( m$:bi -ning them in!$to a dr*\eam seq.
uence reve+,al(/s +$deep c^@onsi]derat]@ [i;on for art%ic=u@ ^lating story and e*_mo@tion\ via a *compressed v isua=l grammar without^_ / ?te;nd[#ing tow(-ard sentimentalism. The m.`ovie 's% / fin al scene, in wh#ich Do-s! ,`/eong awake ns from[[ his d(ream and sets o+)/ff # down the path in search of( his^= )m)other, is bo-th tou ^ch: 
ing and be);autiful. The f;%*i=#lm also featur#,es C(hoi^; E _u)n-hee, in the $part o[@*-f _!the young w* idow who [warmly embraces D @o-seong w+ith her love,\ in%. one o\,\f her first\_ rol:es.　　Afterword　　- L%ee K$?\ a
)ng-su, writing under the pseudonym of Kwak Il-b. )+#yeong, first $,!#adapt_-_ ed p!layw,right[? Ham ;)Se-.^^de.ok's A( Lit%:tl-!e (;Monk[? (__$?Dong-se?ung) 
!)i _nto a s$(%creenplay, which was *the)(n+^ shot for the si[lver scre#e\?(n[/( with -$*additiona;[)l- ? embel)$?lishm^ents @- b\y th%e di/r;[e)?cto%\r.