德拉*#克的回归

剧情简介

与Stef=[a n Uher和Elo Havatt(a一样，E\duar ;d Grecner也是?=60年代斯洛伐克新浪潮电影的缔,造者之) 一。他的三部影片《/一周
[七天》（1964）\《]=(尼绒月亮》（1965）和这(部《徳拉克的回归》都是斯洛伐克^_新浪_:潮电影的代表作。这部叙事方法独特带有明]显意识流风% 格的黑白影片甚至@ 间接影响到+!了后来法国导演格里耶在捷克拍,]/摄的两部影片^《说谎*-?_的人》和《E=
,d^en and-! Aft(.er;
》
。　　A s\p/*[ecial p*@l!@ace in th#./-e devel*(opment o# f  f.[\e)ature films%!^ is reserve
d for Eduard (,+.Grecner, @!the creato(,:(r of just on*e_] good film/,  ?
.Dragon Returns (Drak sa vrac\ia, 19.#**67), titled af:+
t-er the ^nick\)]na me of
@the lead character. A=- =fter his (%initial work with 
U+h\%er, G_re%c[?ner made his mark as a pro.
$ponent [of t?
 he s$o-call*?ed intellectua- l fi-.,lm, th e a ?ntith) esis of  :the [\soci:.ologi^  cal /,_ly, or^: r# !ather, sociall- ]y critical film. Gr(/_ecner's great role mode?@_l was Alan Res\;/$nai ;s,:/ a ]\;young Fr`ench filmmaker who = sought to introduce Slova;)kia to t^he id/ea of fi%% lm as ![\a @labyrinth in which@ mean[.[in/-;gs are created not by stories, bu$+t by ?complex configurations of di+$+ alogue, s$_ho=ts, $]and various lay;er,s of t\@)ime, thus diff*ere$ntiating fi;lm from bo-th li t \erature and theater. In D/ragon Re`turns?―the sto$`(r$y.$
- _of a /%]solitary hero w
ho is# nee .ded`%\ by village%rs livin^g far @in .+the mountain!!s%/:, but who is rej-ecte`^*d;$ by them a`]t the`;$ same time#^$ be[)*^c*^au?+?se: of his detachme)#nt―
)Grecner) brou#.:ght the tradition ^/;of lyr\;?icized #_prose -*to life thro=ug^-*h a who-*$l=!+e se;:;_ries o*\f\`* formal aest#(-)hetic t/#@ech: niqu:es. Al*%ain Ro bbe-Grille\t imm/ ediatel%_!y developed th^i;@)s idea[+/ in the film shot ,) in Bratislava* The Man .%Wh$

]o Lies (Slovak Muz, k\]to.=ry lu%ze; Fre$?:nch title L'homme qui
m^%ent
_; 1968), and pe;rfected -it in?? Eden and +-After (Eden]_ a potom, 1970).