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剧情简介
Vo.(.i :ce 1 (mal %.e professiona^ ]l announc`er t ;,y-%pe) This [.neighbor hood(1) +! w $a s made fo#r t[ he ].? wretc!-)hed dig^ni*+ty of ;(th!?e petty %@bourg$*eo)isi*e/:\^#,[, for resp\e; ctable occupations and in; tellec tual t%ouris #m. The @ s%).\eden*@/tary! p \opulation of t%?]he upper f[ /loors was sheltered_ [ from the influence#s of the st^ r`eet. This ne% ig#$ h@ borhood has rema`\$i;`ned t )+$he same. It was the +#!str^ange set[=ti%ng % of our story, wh=#e+ re a sy?st[-)emat).ic q;\uestioni,ng of all the diversion[s#]% and =[\w?;orks #_ o` f a society, a tot^ -_al -)!critique %^of its idea of h):; .a.-:ppiness, was exp r + essed i\;[_n acts. These people als:o scorned sub )j@_ ective p.;rofu(n_;dity/[. They) were int?= erested ]_ in \(nothing but an adequate and conc: ret^e;, e`! xpr]es$ \sion of /%\ themselves. . Vo_ice 2 (Debord, monotone) Human beings .are not ful$ly) c[.#ons]cio%us of their real life - usually g@;roping i(*:n/[ [ the dark; overwhelm; ed by the consequence -s of their acts; at% eve ,ry mome+[nt groups and ]_individu.=als. find )_ themsel?=;v-#/ es confronted :=+?with re-^sults . they have!) no t wi\#:shed. - Voice 1 They [said that obl%ivion was t %+h:\eir ruling pa/[ssion=. They want+.+ed * to re invent everything %^each day( ; #% to become the masters and possessors o# ?*f the#\ ir own l*i@ )v:/:es. Just as(* one does. not judge#= a man acco\_rdi ng to the ,conce@]/pt[io(n he has of himself, on=[e cannot judge s`-^ u @ch ( periods of transit ion acco% $rding t / o their! ow^`n consciousness; on the contra_ry, one must^ explain^,. th$e [ consciousness* th^%=+.rou*gh the cont/radictions of mater :ial life, thr= ough th(\ e co#nfl\/!i c_t between social; co ;ndi\ -=ti +ons [#a\n d the;^! forces of soci)al produ_ -ction. Th e prog (ress!] achieved in the[ % dominati);.on of=.? na?-ture wa* s not y#et ma/^tched ;#by a cor re_spon^ding liberation of )ever=(yday life. You[th passed away a?@][m_/^ong .the v_a]@rious :controls #/$o@!f resignation. Our camera ha s capt^ ured for y:o u] :?+a fe w aspects of a provi%. si[\ on,+a!$? l m] _ic rosoc **i?ety. The kno;_^wledge of empirical :)fact?+s remains abstra =ct and superficial as l\$ `ong as* it,( is not concre ; tize )d** by its ^)#integration int o th\e whole ” .(which alone per]mits .the su\ persession of parti,@al` * and ab`@strac++t.[ probl )ems so as to [/@arrive at ![ their co/[ncrete esse nce, and [#imp_ .licitly a$^%t =/their meaning. T@ his group w=)as[ on th^!`_ e=\` margin^ s[(_ of *the economy . It te+_nde$,^d toward a role of;] pure consumpti]on, and first of\% all *@the .f \@ree consumption of its ,+ time. It th ?-us ,^fo@_und ]^i:#ts:,- elf. dir?ect#ly engaged in qualitative varia; tions of everyda/y life b:`ut depri @;ved of/@^ any. me,$ans to interv)ene in them%@. The group r+_ange!.-d over# a ve,/`ry small a+ ,rea. The sa$,me^^ times brought them back to th% e same places. %, No on@;e+ !%!w, en%.t to bed early. Discussio.n? -+_ on : the meaning of#* all/ * /thi+.s _.continued..;\.. V\*oice 2 Our li!f$ @e is a journey ” `In the win_` t:er and the / night. ” We seek our %pa/!ssage...� Voice 1- The a![ bandoned literature nevertheless ex$erted a dela $$\ying action]` on new affe.#$c*tive f \,ormulations. =Voice 2 T`here was the fatigue and the +):col;*d of the[`] morning in t/ ;his much-traverse_ d labyrinth, li/k +e an enigma that we] had to resol_)ve.+ [ I?t-] was; a looki ng-glass r=;eality through which we had *=:-to discover %/ the p[, otential richn=ess of reality.@..= On t=/he bank of the river eveni \ng began once again; and caresses; a) nd the# !+ im ,,po? rtance *of a wo_#^rld witho:ut impor# tan c-*e@. J,.ust as the ($eyes have a blur*!^red vision% of many t?!hin/$\ gs .* and *can see o ;-`nly one c learly,\ so t@ he wil)$l can strive on. ly incomp,:le`?t+[e[(ly towar_!`d$ diverse ,!o#=bje= /ct\/s? and can , co].(mpletely love only )_one at a time:. )_ Voic )e 3 _(y@oung girl^_) No one counted on the f- u\]t_+ure. It %_%w)[ould /_ne! ]-%ve_r be possibl e t!o ]be toge$_th/\er l;@at?!er, or @ _anywhere el:/se. T+[$.here would ne! ver be ;a greate` r fr_eedom*! . Voic:\e :.1 T#he*. _$refusal - +of t;ime and of growing o%l%/d%, ? automatica;^lly limited en+[ c )ounters in! t!:?!his ? @` n,=arr,%ow, contingent zon*e, w*@he\;#re [)wha%t w(?@as lacking ? !was fel``-t% as irreparabl-e==. . The extreme _precariousn(+ess of the me[ans of getting b=(y without worki+[/.#ng wa,-s at the, root of t=his i] mpatienc#e which made -:`exce;=sses necessa^ry+ a :nd b _rea !ks defin itive. ?) Vo =ice 2 One never really con*+tests an or =:ga;^nizati%=on of existence without con , t%;=esting al)#\l of that @;orga +.nization's f^\orms of,) l!a]+nguag#e. Voi ^!ce 1 =W @hen free\dom is?. pr(acticed in *#`=/a closed cir @,cle, it !fades int-o a;( drea ::m,! / b+e^].*comes a mere repr\\!_ esent^%,ation) of it[ sel[f. ? The am=biance of \play i=[ s/; `by =+ ?%!_na =t_u*+ re unstable. At a @ny moment ordinary life�= can prev%`,ail once#%@ again. Th; );e) g.% e og+raphic /al l) imitat:.i^( on of?]# play is even more st:%riking than ^[ its -%temporal ,limitation\?. Any game takes p%lace withi; n the $co*? ntours of. its spatia:#@*l do:,?main.-- ] Arou-nd the ?@:neig?hborhoo^ d,$ ,-, a+ `roun%d its fl^\eetin^( g an*;d threa^ tened#- (?:/i !*m__mobility, : @st $`retched a - - ha`!+)lf-known city where ) people met only by ?cha` nce,?_ losing `!their w*-.ay f =orev ?er. # The gir !ls who# +@+found their way there, beca%]use they were legally under th +e _%!contro(; %l of their fa*%`mil ie/s @ until @the.*# age of eighte\+// en,* w =ere often .__;re*captu red by #t $he defenders of that det \estable i_+nstitution. They( ) w_% ;e:/re generally co+;nf ?!ined under the guard of @+!those cre$)?atures =who a`]mong all the bad p\?:=rodu^ cts of a b!* ]ad s (o %ci , /ety are t) /:h]=e mo?#/\st ugly and/ repu /:gnant n-uns. Wh at\ u /sually`, m %a_+k .-/es do;=cumentar\ $ies s)/o easy to understand is ;=%the arbi+[tr-ar %:%y lim%it?@:.ation of their subject matter. They de #@scribe[`, the atomization of $social function`]?s a`nd t_`he! is_` olation of their products). , One can, in c ` ontrast, envisag^_e the /= entir? (!e c=`. o` m p,:+le_ .^xity of a momen$/ t wh:]ich; is not resolv[)ed int\=o a wo:rk, a mom+e-;nt whose move*ment - (#i),(\nd;-*issolu] b_ly ?`contains+/. facts and values and whose meaning# ` does n-ot y,et a []p[+pea = /r. T#(he su\],bject matter of_; th,e documentary w!ould then. be this$ confus(ed totality.! Voic*e#=; 2 The era *\had a:;=rrived at a lev\!el of knowl edg#]+e an!:d technical means th#;at made. possi)`-ble/, and incre^ asingly necessary, a _^ direct cons truct%?ion of all aspec(!]ts of a lib;)erate, d affective and pr[acti^ cal exist]# ence. *The// appearanc`e of _\ these^;]! $^superior mean` s of a ct$i` on, sti* .ll unu:?se?d=: becaus@:/)e of t]he d el?# ays in the proj_ ec= t o%f l\=/iqui] dating the \commodity eco_# nomy, had alr+/,eady ?;condemned aesthetic activity, whose ambitions and po-)#wers ?were both ou tdated. The decay/:= of@ ,a/rt a_;-nd of all the values of fo\rmer more(s =!had form_ ed)` our sociolo#gical ]ba)%ckground. The rul%ing class' s\ mon#-_@opoly over+ the instruments we needed(`+ `-[to control @in */o`rder to realize th] ]e !*#@collective@;[ ^,.a-$rt of ou= r time ha -d +exclu=ded= us from *a cultural prod uct,;ion off `icially devoted ,%to il;lu) s%?tr# a% (ting \an@)d repeating th!e past. An art .film on[ this generation[,# can only be%- a film on it=s absence ^#of real : creat$/i# .+ons. Ever=% !yone[ !unthi%nk$in :gly # ^*fo*$llow/-ed the path,s l;`ear=:`ned on%ce and #*$for all, t$-_o :(their work ;$and/? their home, to$ their predicta/ble future. For them =]dut[y had a.)lre,ady/;! b`_ecome a habit, a[*nd habit a dut[y. +[T(h-_[[ey did not see the deficiency of th .eir c^it y. Th+ ey thought th-e ?de )ficiency of ]?t` `hei_+ r li f-@e was]== natura[-l. W/,*e want`:/ed/\ to break out o$!f +.!th [is ,c onditio]=?ni()n ) g ,, in ^quest of anothe+ r )use of the urban land^[=scape, in quest of new passions . The: (/.atm::osphere ;of a few pl^aces gav::_ e u(: ^s int(; im:ati@ons of= th^\/e` fut ?,u!./re powers of?. an arc ;hitecture it would _ be necessar%y to % creat+e to :*be the su- p: port an/+ !d framework for l\ ess , me:( \diocre games. We? co^ /uld exp]]@e c;^^t nothin \^g of anything w_ @e had not^$[ ourselv.#*e.\*s altere =d + . Th/!*e urban !en-vir! onment proclaime-;d the_* orders a;nd tastes of- th,]e ru :$lin_=g s(.ociety* ju $-@st( a@ s vio(l , +e n tly a/:.s th=-e newspaper s. It is;*+ ] man who makes the unity of the%* world, %%but:) ^ [man has exte_ nded himself every_where.@ Peopl]e:+ can see nothing ar\. ound them that is not th# eir own im%age; e% verything speaks _.]t%^o th(# em of^:* ( the?;m$(.selves..^ Their v e[ @ry landsca+_,+pe is alive. %`[The^]!re we ?re obstacles eve) ry () :where. There w@#as a cohesio. $n in `-- the -obsta cl^ .es of `all .#types. The`y maintained ? ( the [ c_+) oherent reign of\* poverty. Everyt : hin!$g being con\ ne?`*cted, it w/)*as nece(s ) sary to change e_\very @@t_+:@hing b ?y a unita ry s\( ]truggle, or nothing. It wa[s necessary) t#(o link up with !+ the ma ss -es, but `we were s` =urrounded by sl+]*!eep. Voi(`ce =3 The d=ictat //o/@ rs$hip *of the proletariat -is a d*\es perate strug/*?gle, bloody :$and bloodles* s, viol?+\\ent and pe].ac%-eful, milita ]ry a ]_nd econ [omic, educ]!ational;_+ and $#admi@#)ni \?str @a ^tive, against the forc:=es and tradi#tions * of the o ;ld world. Voice 1 In this countr!_ y it is once agai;(n $%the me/n of + `order ?=# who have reb %*elled=.[ They have rei nforced their !=power. The* y have ;been able t#_$o aggravate the grotesqueness of the + ru /ling co:n):ditio ],ns ac!_cording , +];t o their -%..\will. They_ *?: hav@ !-e e; mbellis !_)@hed :.?their syst em .with t]$^he funereal %c =eremonies of the pas%t. Voice 2# Ye!_[a.rs, l\+ike#/@ a# s/,\:in`-\gle`# instant pro @longed to this =point, come [* to an end. Voice 1 What w$)%as d* #ire]#c! =tly lived r eappe $:ars /frozen %in the dis:(+tance\?, fit into the tastes and illusions of a!n era, carri`#_:ed/( aw=\`ay with it. Voi )ce 2 #]The appearance of events t]ha`;^ *t, ^we_- have not made, that ot],?hers have made against us, no w obliges u _?s to #+/b_ e awa_r`` e of the passage$ of time, its resu]lts %, the?$: transfo_ rmat.i?% o =n o`$f ou)r own desires into events. What differe_)nt@iat, es .the pa!;[\_st from t#_`he present is precisel`/y its o ut =;-of-reach objectivity; there is no more sho ?;uld-be; being .$-is s:#o consumed - that i# t ha/]%s ceased`@,_ t #_o ex! ist. The de] tails are already lost i n^ the d?=ust^: of time. Who was[ =+ a\fraid_/ of life_#* , af raid , of+( %the --n[,__ight.=, a fraid ; _of being ^taken, a= fraid /of bein-g kept Voice 3 What should b! e abo* lished continues,^, and we ? conti)nue to we(,^ar away wi = th i,;$^t. We a[re engu )=lfed. We ? are separated. The. years p# ass an d we haven't ch a,*n]ged an/ything.\% Voice 2 Once ag$ a in mor,/n:?* ing in ;,) the same streets. On=;ce agai $.- n the .fa[?tigue / of so % many s(imilarly p*assed nights. I.t is a+ walk that has lasted /, a long time. Voice 1 Really h a^):(r]=d _ $)to drink more. Voice 2 Of= course # / /one m^@ ight make a film, of it. /Bu!t even .i_:,f such a #]film suc.*ceeds in b/,eing as fund(ame/ ?nta(lly disconn$_ect \ed and u ns .*.@atisfying; + as t`[he r[! eality it dea ls wi!/th, it #[?w?!il , l never be m#ore than a re-creation;_ ” ! poor and false li@;.k**-e this# _ botched trav:; .eling shot. $Vo\ice 3 - The _ re are now_ _p =eopl e who pride ]th` emselves on being a[$,uth@*]or;,s of /fi=l^@?;m=` s, a+s othe+]rs)=[/ were( a^/uth$$ors o- ^f novels] ( . T%_hey are even more:; ba c@kward than the novelists) @ bec[ause they ;@are unaware of the@! de*compos)ition and#+ ?=!exhausti^[on of indivi dual e-._xp[\#,ressio _n; in our time?%\, ignorant of t^.he end of_@ ^ t=he arts o!][f p+assivity#-. They are prai!@/se)=d( f or their\$ since;* r_ity si ,nce !?they dramati:,=ze, with mo[re $ pe% rsonal d\epth, t: he conv+ ent.^ions of which/^ the @ir life con= sists. _There\[ is*: talk# of the liber+a/]tion of % /the cinem a. But _:,what d[oes ` it @ matter to us if o#*ne mor!e=+( art ,=is \li,berated t)_h.r= ough wh$ ich# Tom, Dick or \!H\^arry can joyously .]express thei ) r sl!?avi.,%-sh sen,?time nts The] only --interestin,g v ,enture is the libe =ration of everyday ?life, not o#%nly in the : #perspe*ctives %\of .%histo=ry but fo#r us an`d right/ away. Th. i(s entails th$ _e wit%hering away ?of alie$+ nated forms of comm \%uni??,.#cation. The cin!=+ema, ?^to#.o, ha .=s., t$ o b?`e destro yed. V *oice 2 In the fi [nal analysi -%s,- stars [`ar_.(e created *`$by the !% \ne/e$%d we have f.$+!or[ them, and not by thei .=r ta)#l-?e nt or la;c /k `! of talent or even :]:by th! e )fil \,m industry or advertisi`\ng ]. Misera $ble need, dismal, $. anonymous life that wou+- l:,d like to ex\pand itse :* lf to the d [ ^;imensions of c[^inem\-a li ;_fe. The imaginary life on /#the ^#,s creen is the pro;@duct of _t^h[ )i=/ s real ne(\ed. Th /!e +sta?r is the pro* `jection` of thi:s need. The images of the advert ]@/ise/#men+t=.` =s -?dur/ing the@ inte ^%rm%%?iss!%ions = /are more s:%,,uit-)ed than+-; any others f( ?or e?!voking an `in ter@ mission of ;life. To!/. rea lly+? d%)escribe this /era it woul^[d no-\ doub$t be necessary to show many other thin;@gs. #$ But what would be the ,[-point .+ B[?\e# tt;.er# t]o [$ gra? *_+sp t ]?h%@=e t/[\ota+ #!lity of what has-\= been done and \ what re[ mai$\ns,` * to b\ ?e d:one than to add more ruin);s ( :t o the ol.d wor =*(l]^d of ;]^the spectacl\#=e and of: memor( ,ies. 1. This fi:lm, w?hi.[ c\\/?h evoke+)s`_ t)#;?he !lettrist ex?,=p,(erien[ces a-[$:t th$.e o^_-rigin of @)th: ;e situation: is[+t move+?men \ t, [% opens with s hots of the Paris di +st rict . fre$ q:^]uented by the l$ettris` =*ts in the e arly 195*0s.