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Deser\^^ves recognition a(_s an i\n=te [resting mis#*u *nde rst/anding of ,`the +)hallucination + generat*ion, 20 + Ja*+nuary 2007 Author$` Ti#mothyFarre; ]ll %$from :Worcester, MA Wild% i(n the [% Streets comes from the sam-( `e school#; of film making t:@ hat s ? p-awned o(ther a#:ttempts to\_ connect to the-` co)*untercu\l_=tu?re%) such as Skidoo;##- $%and Candy. The di@]fferenc`e between t. `his and the aforemen^;tioned )fi\^lm` s is ]%t_hat Wild in/? the St .*)re_ets is %reaso]\] n(?a@.(bly clever and we^.ll,-;made-. It /*isn't symp-athetic to th-@/,e coun =ter;cul?][_ture and will likely ^=@%o=ffend those %;w^,[i th fond memorie^` s of the time. Su/%$rp_;(risingly, it -was a +)-b-ig hit when rel)%$.e [-ased an%$ ,[d]^ ap/pe* ?aled to ?-_the yout+,!h w_hom it rid@icul`/ )ed so --m uch. Unlike The Tr--ip and Psych-Out (two other AI-.#=P ,films*!, ) , its not an accurate representa_(tion [ o@f_* the movem e nt at all. H#\o( % wever i)/t does work a(/s social[: s, ati([re. The?!* direction by Bar,@\_ry Shear is goo ;!d and makes i$nnov \?%ative ,* use o - f split \scre*en +)=ph+otog)ra+:phy. Plus, he ke:.eps eve)!rything mov%.ing%, at a q(` uick pace. In its f)unny mom#ents, t$%he film wo^.rks%. well. In its atte mpts at d\)rama[\,[. / i]-ts helplessly dated and `. _ just as , funny as the humorous moments. Christopher Jones\ underplays@ ! hi`s role and Shelly%/ ._Wint_ers ove@:`racts. ;Hal Holbrook offers the bes%,,t per,formance and Diane Varsi a. chieves the r`(i +ght note of groov i_(]ne+@ss[/_. The script\) by R%obert T):]hom has its mo:\.+ments,`?\ es pecia?`l@_ly the ending (e;asily the ( ,most in`g% $enious p?:\-art of t?\he film).-.=$ W%ild in=:) the !Stre?,ets isn'-$t perfect, b?` ut deserv es recog .nition as an inte/resting misunderstandi`) ng#. $_of th`*e/%) !ha\,l+lu_ ?c][):ination#= g ,#eneratio :*)n. Those int$o `this kind of kitsc$) h #[wi*ll enj%)o+[y= it :$:the most.. I'd rather watch T;he T[/:ri`=[=%p.- o-;r Ps:ych- ),Out h; ow-ever. (610)#.` -from , imdb