极度恐慌19/83

剧情简介

PA.
]NIC BEATS begins with a totally / nude#% wo#man with welt$s on he #!r body, runnin%g through a mis#]#ty fo?)rest full ;!;#of  decayed sk
:eletons. A /knigh=\t on (h*^ orseback+ *?)is chasing her, and we . soon learn that he i^% s Alar@@ic de $Marn(^ac (a* _`^wicke(d c haracter Naschy fi@rst created f-o/,r HO/RR-+
OR RISE,S FROM THE.\]- TOMB),; viciously ;killing he%r %for her _+
u=nfaithful# ways. After: ; th;#_[e cr_-]edits rol$e, we are t?aken to th ):e pr).esen_\ :t where a desc#]endent o^,f M+([arnac named Paul (Naschy) /is mar;
.rie[d to  t he /$#?wealthy G,*eneviève /*(Julia Saly) was has so*.me) serious hear__?*t problems.. Paul decide- s (  to \
take her to his ance stra;
,] l home in the
 co ,untry for ?some#; peace and ]quiet,=( :but the sup:
](erstitious-filled setting opens a Pandora]’s Bo`x of terrible occurrences.　　We soon-* :#disc,over /t-hat Paul i@s a real son-of-a-bi\@tch-_ who plans to sca@.re his w@ife to death, plannin^)g to co`=ntrol her fortu!.
ne ^and continue ==his secr
*et a;.=^
ffair w ith seduct`_iv?@e b=ad girl( Mireill ?`e (Sil#)via (Mir ó), )]=who ha.ppens to $`be the niece of the tar.-#ot car ! d[;\?-read@in,g, housekeeper, M`[@`abile ([$@[!Lola /Ga[,os). Paul’s male%v(ol_;;en-\t schem=[/^e w )ork/)/(s, but he still [ /has+; to worry about.? a\ $n add_iti%_ona@
(l m^:oney-hu_!$ngry mist-ress (thi
=s\ guy real)ly g==e ts arou@nd!),;: t$he #//unf:orgiv ??ing Mabile, as well as new fia@\,+nc)e^é Mir:!eille;
= ,who might b
e!?; hiding a thing or two herself(,. More . `grisly _^mur^ders follow, and the/ ghos;t ,#of Marn /ac r+]etu,r(ns from hel%[^l to punish th!e !most despicable hu,\man character in t``$he fil; m.　　PANI)C B@\EA(=*TS was\+ also written by N])aschy ( ?,unde.: -r his real name Jacinto `^M o(lina) who inj[e,@ct`s the f@=#il#%/m._ with a-(n %old-fashioned s_po.*/\oky hou]se motif, beefed +,up w`ith a modern ;#,_movie(
sense of /viol.([enc,e and sexu)a`/lity. T/he f-/[?ilm offers not .hing too innov#+at
,ive storyw!ise, an\d ``even ;`Na;[schy adm_`[`its(*\* on`=][ the disc’[+/\s extras that [`it was p#a)?rt#=`ly i?/\nspi.%=red by GAS@)/LIGHT /%/=.and RE##BEC _=CA, but h+?e ^]seems to just ?+toss in a hodgepodge of e*=[xplo^i,tation and ho\*/rror ingredie,nts, whi le del`iv` :ering a sty%! li;sh an@%]d e_,njoyable e,_]ffort with a^? numbe,;r of twists and s/ome g(]enuinely chilling m@`ome?`nts. The cam
%`?\era shots and light(/ing are both effecti*-ve, an,d ther_e'+s even ]does a co!!ol set-up (much like w*!hat Freddie:- Francis did in THE SKULL=! and THE CREEPI;.(NG FLES^,H[)) where we: see the po`,int of /@vie) $`w of Ma *r#nac t _ hrough h%.i%#$_s
*
. d-_
ark h:e*%lmet as [$_,he )st!!alks his female pr/ e/y. Gr*,aphically, ?we /are exposed t+o-=:# everything ^
` from a plate of bl,oody eyeballs, to- victim [s being b*e;
*aten relentlessly \with the var ^ @ious M:=edieval [)w_eapo@ ns affixe?-d on the house’s wall+:-s ;@(for example,! someon-e ;_:is a: ?x \ ,ed in the^ ([]_st^[#)omach, _,-follo ] wed by+[ the soa%[(k:ed entrail^s oozing o*%u t!). /Nasch$;()y’s most$ f[;requen./t 1+, )980s l?eadi)n*
g la_dy, Julia Sa?/ly, i$_$s not - given mu]ch to do, but wit+[h her offb@eat l/(ooks, is a ($(nice(( presence nonethel^=ess +./#(* The(+ promine:@^nt female s!?:
tar here is Silvi+;a M^*iró who ::is seen in the (-buff fr-;e\[=que-ntly, and she= ^\certainly makes f_;^;or some wel$]l-appr eciated Eur)?o starl_-et e]*`,ye candy. Naschy hi,\ms=elf is ve(@-=ry ,goo(\d in *th@,e_ film, putting @%!+o!)]n conniving facades, carrying a numb-[er of women on a str\`/ing,