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剧情简介
Wund .`er der?% Schöpf@ ung is an extraord,#inary , fascinating Kultu. rfilm tr #ying to ex]plain th*:e whole human kno#`wledge of;@^? the 192%0s ab@=,o\( ut _the world and the?# unive rs$ .,:e. 15 !speci:*^al effe,cts exp ]er*,- ts and 9 camerame* -n were inv@[*ol )v,-,$ed i *n t=/(=;he produc[_t%ion o=_]f this film which combi`_n* @es doc umentary sce !$nes, historical documents, f.`(iction elements ), !animation sce ?n$+es #:an[$d edu)cational impact.%:?_, It its %be !+autiful(\*\l#= =/y colored, using tinting a??nd toning !/ in a? very elaborated way. So me visual ideas in th ?e sequences with a space shuttle visiti*ng d`[*ifferent p. lanets in the universe seem to h*# ave to $[\be, the i*;nspir* ation [for= Stanley Kubri [ck's 2001 A Space,$![ Odyssey. In the context of G = ermany !'s Kulturf [=ilm ph,?enomenon,?*$ Wunde [r der Schöp` ]f`ung was among the grea__test achiev;-: em-ents o, f th. e 192(.`0s#=. The` = pro`duction was!?!+ constr. %!ucted %, rehearse(]d, and shot ov?+#er a period o@\f t?w o an. /d a half y *ears,\ ] under @th;;(.e superv\_ [i sion of Hanns#\; Walter Ko;=rnblum./ The i *dea_ /![to `descri;+`be t[:he u-/!+niverse an]d !man's-) place i]n i \t well suited UFA's Gross+!fil!.m mental[ity, one y? ear ;.before the Met_?ro_-polis `\catast^roph:$e. :! Hund% ,:reds of skille:+^!d *c`r?[aftsmen participated in the proj,ect, building props a[ n*[*`d const! ;/ructing scal $e _models dra-\wn by 15+: spec ial effec#;ts dra_ ugh\;tsme(, n, while 9 cam % ^er amen in*;.: separ(a@$te units ,!wor;$ ked on th ?e _[?histor!(+ical, doc=umentary, fiction, a(=nim:ation, and scienc!*e/;:-fi,ction([ !/ sequences. `)Without s+@$tar ro ?les/: or ev];e,n ?-protag` on!ists,-% the = f%il /!-m's plot= is crow ded! with meticulously ! struct.]ur/._ed an.d skillful ly acte\d$ si\)%!ngle scenes/:+ an artful mosai:c of \smal:,;l vignettes. No less tha:)):n f ;our credite :d university professors en[:s? ur %/ed the fa%ctual background be/ hind: t ?he :scien/tific a_nd h?(isto;$rical / even %ts por]$trayed. Th%_,e )film'@$^s symbol^+ of progress a% *.nd the new scientif ic era is%][ a spacecraf t, travelling th/= rough(^ the Milky W `a:y,=( m/ ;aking ; all the pl;+a!^n ?e* ` ts and their []insp=,-$iring worlds :[;familiar to*[+ us,![ with ` the extravaganza of ; thei..r:- distincti@ve_ fe[(atures. The) film%$+'s e[?+ducat, :i ,onal i:.nt !.entions,@% however, b,ecom#-e s[\te;a dily more o bscure, humor ous, or even(_: campy as this po.p ularization!? pro . +j)\ect proc%e`+ ;eds. With t#%h $e e;xcuse of pres\!enti=]ng\ th/]e$ end ,:(of`= the world a not-s^#.+o-new conc,)?ept as a new, undeniably?#+= scient#ific truth, the fil ?m /=veers h)$a(,@ppily along a !! )? new pa.th, d!isplayi_]ng de_(t$!\ a$iled apocalypti@c scenes of t##h%e en%@d of # mankind. For% today's## aud iences, t(his amazing film demon? strate s / how ^the#? universe was compr( %e;*/hen @ded in the 1920s, and how that view was so =ld t+o cont. \_em/]porary audie/@n[.c^$es.