泛群影视
等待(  方舟

等待(  方舟

HD中字其它其它
类型科幻片
年份1985
导演皮奥特尔·舒尔金
主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
更新 2024-04-09 05:13:23

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剧情简介

Set+ in an:: und+:.*erground dun)geon inh`a,b?,:ited by b? undl\--ed, rag+ged human bei?ngs-%_, after the nu[%\clear hol?o=caust.  The stor_\y f% %ollows the. wanderi =ngs of a hero t%] hro _ ugh the/ s]#i!?; *tuations of surviva\^^l%*=. P[e)o ple w=ait fo==r th?#e Ar$k to$ arriv_;e,%- a;`nd rescue them%* while t)hei))r habitat fall) s apart.  ..De:lving de-^ep into the dus:ty and long ab+\an!donded vau, lt?#s of b-cinema i.!n .search of l*=ost gems= ^@always leaves me _?,with a ,bit^ter@sweet =_taste. On one` h)*+and/ the disc!overy of !?=unexpected gems,^ where? no ^.o:?=n.]e? [ would/  think_; th]em pos@s:i(ble (is a rewarding ex+)pe_ rience. On? @the other,(  _hand though it makes :+one wonder how m](any o/(@f:? thes *e remarka]]ble low-budget odd,@ities^, p?+@ersonal love affairs of di*,_recto_] rs: never [quit@+e famous and ``now all but forgott!en, ,,/h[(\ave almost forever s=l ipped from memory  n(+ any case/ w)]^hat we have here is a litt`` le post-a=pocaly/$ pt #i ]c gem from Poland tha$ t i\@*s re#ally better than it *;has any right t )o. The,$ dys \t:$#op?i]an near fu#ture ^o\*)]f =[,O-@BI,\\$ O-BA finds a  group *)`of =-`s@\urv=.ivors of the !.n#@uclear war that ravaged t`( he\- Earth+ inhabi/(%ting a n u;nd;%$erwo^^\rld concrete bunker and biding their  ti@me as they wait  %f) -^o^ *r the my:.(]st*=erio: us **Ark]?), an air ship o f  some kind that+` will come )#_and %/^ save th/e+m. T]h-) e*=] A.@rk p.rove+s to be !\an elaborate$) hoa?x, car*efully designed to give hope to[ the m-alnouri :%shed/# and despera(.te deni?zens of th+e bunker?./#, while / in th\e m eantime the d\,o:@me t(hat s_eparates their@/= miserable existence fro# m the n+ucle+*a r w_inter. outside is slo %wly caving *+in.  Wha=t first striked,? me abou::-t the movi+ e is the   design of the bun:] ker :- and)= the _[ de^# $pictio(`\n of the surviv ors. The\) s)urvivors a+ :re (]g=;aunt, filthy#, and te:.(rrible (-l^,ooking peni$]*tents, !!?,d\/res\ sed in rags,- and aimlessly wandering the neo;_[n-lit halls of t :_^he bunker% lik@ [e a[uto-matons. The b]^unker is a rundown, (!!se_edy place,]^ with /br+$i+-ght$` neon =ligh`ts  pee#..ring from.. all@($ %side_s like the=`]( eye %(s of #malignant beasts.  On one hand it is a slightl ,@,y 80\-`'s depiction o=/_f -;the ,dystop:ian future ,$:but the$ movi[ e never st*oops down to MAD MAX c`($heese. Ins- ^t.^^ead it -comb:\ines^@: biting poli@?tic/al `_sati%:re wit@[h th/.+e ble=@ak outlook \ of)[ a wor+;+l()d w(\. ith no f/ uture\ , black co@medy with ^.-barbs on apat@ !hy, religion and@ )+power. _The survi?,vors, f?@%or example, are fe:]@d some kind _of flour dr_oppin=(%g )from a;.@ t.!ube that hovers in the+ air /- late,r on we dis,+cover th:e fo/;od supervis.or uses books and the $B(+ible itself a ?,s filler for t==hi) ;s meagre -]meal.. Ther) e are many ]suc])%h] short symbolic touc`h$es, perhap@(s n #@ot li!(fe_-chang/\ing or faith`-restor,ing, yet pla-:yful, -cl;ev\(er \=and inspired.  One thing[; [,is fo$,:r sure; O-B*\:,I,\[, ]@O-BA is not your]=[ r`un-,of-the=-mill:%% sci-?,fi-, schlock. It o;)vercome^;s its modest budget wi=!th c$%/`reativity and has gen`ui ne art[$_i;s/tic asp\irations both from, \( .a writing and% dire,.ctin^, g p ?erspective. My op inion is*? that it should) have been fil,med in b]) la(*ck an-@d; wh (!@ite inst?[ead of =#-c; olo[=^* ur though. ,)The director uses atmosp;%=heric light and;\! sh adow( to great ef*f ect and i=t?,^ would have :regist!ered\% even =bet$ter in s@tark \\.]black and w?hite. The blue-[green ne$ on %on the other !+hand out(_st=:[ays`]! its welcome after ]+?a wh:ile. Just a minor gripe %:@in .%a:n ]o[:therwise s] =o!lid b-movie / ?with its heart set in+; [al+l;;+ the righ][t p]laces.  Imagine a les*s ,\bleak TH E ROAD (Cormac McCarthy () being injected?_ with the sat@ i-re-`^ ?*and humour of DR.STRANGELOVE and you're g#)e *tt!^/ing there. See + it if- yo*:u can find i#$t.

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