米兰九 ?,^口径

剧情简介

Ferna ndo $=Di Leo-$'s Mila%/n.o/+* Cal: _i ?bro 9 ` is an out-and-out masterpiece of Italian Crime $.@cinem^ _a and, in my  `opinion, one of @;the mo(@st asto`nishin.,g crime storie/s!% ever told? . The fir$_`s!][t film in Di Leo's ex!cel?lent  'Milie  u' trilogy,.%, Milano Calibro 9 was follow\\ ?e%d by La M
ala Ordi.;na (aka. Manhunt, also 1$,/972) and the brillia _;n[%t Il Bo_=ss (1?973+(]). Th]:e thr^@e/e films are not connecte `d story-wi`!se, but a[-ll %%three are+`* e:xcellent, and highly rea#;listic p`/o$-rtraya-^\ls of org anize!d c].rime.= As#% far as I am co_ncerne/$d M%[anhunt] ^ is (allthough@ ex_c/e:[llent) sli-=ghtly inferio@ r to this one and Il Boss which bo -=t+%+h stand ]o\%+u?,t ^ a=;s abs$ol%:(ute all]--,.tim# `e [ highli*ghts of c/ rime cinema. Mi*l$$+ano.$ Calibro 9  $is the best of them all, `, a film that is a_+; ston +:ishin [g in all asp]:ects, -[)b++e it the ingeni?o`u#s plot that[!, apart fro-[]m a com@pelling s] $tory and c=le!_ve-r ,$`twists, incl*+\u? 
/de_ \!@s social criticism, the pe-rf orm ]ances, the g_= ,ri!tty ?^at* mosphe..??r*e and ;suspe
)![ns.e o.r the b#ri^@#lliant score. I can hardly find the ri ght words to expre ss my a] dmirati_ o),/n f: ?or=+` ]th^is masterp_%iec e whi;ch ea\sily ranks ^amon/[g th\ e# greatest$] Gangst%er flicks ever b,`rou=ght to scree!/n.　　G astone Mo=^schin stars !as Ugo% Pi[..*az :za, a (tough an$??$.d+. ell)ipti ?[ca!@l e)x_-co%#nvi; [c;t who has ,_@just,@ b+:een released from priso$]n. Im.\(mediate/ly a#^fter his r\=ele;ase, U: go!* is approac$hed by mem-#( b*:@e=!rs _[ =of the Mila:)n mob ]/_)lea-.d b$ y the ira ]-scible gangste !:r Rocco (M$ario Ador`-f :)\
@[, as they suspect him to be re=:%sponsibl,# $
e fo]$ r $the dis#^-appearance
of a l.#ar !ge s]u..m of money# bel#`onging t=#!o their:: bo$!s;/s` %,]%, a:$n])! Ame)-$rican (Li\#onel\$ Stander) -:$who co#ntrols ) the organ
\$ized \crime _ in=^- Milan.,?..　　Milano;]$ @]
)Ca
;#li\?bro 9 is a film :%*that delive!!rs an astonis_ hing%ly realisti:
 c mood o,-]f?) +the u:nde:\-)rworld l/ike ha r`dly= . anoth$,er. The intri`guing s.\.tor,)=yline go!-es in hand with in ;/tere%`]sting^ characters, raw atmosphe
*re, suspens@e and b]rea[tht$ aki-ng _[actio=)\ =n, s?!/ocial criticism:.) a nd brutal violence==$. The film
?\is$ sim?^ply st[

/unning from the beginning to th`%e end, whi\]/#ch is e*?ven inte?/*nsified by t *he_? brillian==t score, a collaboratio;^$n of the.^ fam-ou]s] compo=_se=,r Luis En: *r.íquez B^acalov ^and the Italian%- Progressive ^:Rock band Osanna. Ugo Piazza  m ust ]^be o;* #ne ==%of th/e most cha#$r.?ismati@[c gan.$gster characte,
_rs ever )@?in cinema,  and% Gastone Moschin was the, prefect :)
choice for the rol,e. Mosc ?hin del\ivers a?# ;b\.rilliant p@
erf,^or %#mance, and the rest of the cas$](]t is- als?%[o gr
!]e;` at. Mari$o A #dorf is irascible like a !rabid dog as(. the ##feroc#_ious ga ]ngster Rocco, a\_
r]_ole that[
! fits h=\im like a glove_\. The great Lionel Stand$;er* fits pe?/`rfectly in h!)is ;role of. th-;e )American Mafia Don.　　The t%
wo  cop c:?haracte. @rs in the; f_#`ilm are played by-, ^tw_-*o of the greatest re!:g@ulars)%) * [ #of Italian genre-cin :ema, Luigi Pistilli and Frank Wolf\f .*
(w=[)ho comm 
itted suicide :-;before the f ilm 
was released). The ravi_$shing Barbara= ^ Bo]uch_?_et .@is astonishing and in #cre*d@ibly sexy in*) the role of Ugo #Piazza's;\: stripper gir_l
friend. Bouchet?=@] i s bo,t.%h [#a stunning beaut%y and a`n excel,
^le%nt actress an % d this ^is ;?_doubtle*ss l%
y one o;?f her most me@mo-rable roles. This is also a -political] fil+m and director D.i Leo embedded a lot[ of s!++ocial criticism(% about topics -[.like cor- ruptio]:n. Thi

=s[: film simply has /,.e]verythi@$))ng[ * one can possibly #desire in % cin_ema. F+^+ilms lik#e Mi ;lano Calib! +ro[__ 9, are the .++r
eason why I l)o`ve cinem**a= -. Th=%is ,\+( is  $an  ab;!s#olute masterpiece i;n all re;.gards.( and, without (e]-xa_
g .gerat $ion, one of t(!h$e greates
`(t Crime flicks ev]]er made! The ingenio,(us openi)
ng \`scen//]e alone is m?ore memorable than most films get in two_ hours.